RUDI BOGAERTS ART ASSEMBLAGE COLORS MIKADO
Mind-blowing colors, 2018
22 ✕ 42 ✕ 12 cm (Mixed Media)
RUDI-BOGAERTS-ART-ASSEMBLAGE-SHAVINGBRUSH
A memory of the unexpected guest, 2017
13 ✕ 29 ✕ 7 cm (Mixed Media)
This work is made by Rudi Bogaerts
Fresh confessions, 2018
23.5 ✕ 44 ✕ 11.4 cm (Mixed Media)
This work is made by Rudi Bogaerts
Cut the trick, 2018
18.5 ✕ 44 ✕ 21.5 cm (Mixed Media)
RUDI BOGAERTS ART ASSEMBLAGE PALMTREE PYRAMID
The demystifying and deconstructing conference, 2018
16.8 ✕ 44 ✕ 11.5 cm (Mixed Media)
This work is made by Rudi Bogaerts
The ugly truth, 2018
25 ✕ 47.5 ✕ 11.4 cm (Mixed Media)
RUDI-BOGAERTS-ART-ASSEMBLAGE-SHELTER
A memory of a shelter, 2017
13.3 ✕ 29.4 ✕ 7 cm (Mixed Media)
This work is made by Rudi Bogaerts
Gold catch, 2018
17 ✕ 44 ✕ 11.4 cm (Mixed Media)
This work is made by Rudi Bogaerts
Crush, 2018
16 ✕ 44 ✕ 11.5 cm (Mixed Media)
This work is made by Rudi Bogaerts
The soft touch, 2019
17 ✕ 44 ✕ 11.4 cm (Mixed Media)
RUDI BOGAERTS ART ASSEMBLAGE CHURCH
A memory of a discovery, 2017
17 ✕ 44 ✕ 11.5 cm (Mixed Media)
This work is made by Rudi Bogaerts
Treasure of the right box, 2019
17.5 ✕ 44 ✕ 11.4 cm (Mixed Media)
This work is made by Rudi Bogaerts
Into thin air, 2019
13.5 ✕ 44.7 ✕ 11.7 cm (Mixed Media)
This work is made by Rudi Bogaerts
Pencils of Fointainebleau, 2018
31 ✕ 44 ✕ 11.4 cm (Mixed Media)
Das Wiener, 2018
43 ✕ 56 ✕ 11.4 cm (Mixed Media)

– Anekdota –

The word anecdote (in Greek: ἀνέκδοτον "unpublished", literally "not given out") comes from Procopius of Caesarea, the biographer of Justinian I, who produced a work entitled Ἀνέκδοτα (Anekdota, variously translated as Unpublished Memoirs or Secret History), which is primarily a collection of short incidents from the private life of the Byzantine court. The origins of these little 'Nature Morte' assemblages are often real short incidents or fictional stories. The issue is to expose real stories vs. fake stories. The postcard is the anchor point in these series of works. Combined or assembled with found materials, it generates a different form of aesthetics, which results in a certain kind of anachronism that serves to disrupt the public’s perception.